Donald Hall and the Washington Post – not a pretty site

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No, I’m not talking about Donald Hall‘s appearance in this headline – rather, I’m talking about the ugliness of the Washington Post‘s online derision of him, following his acceptance of the National Medal of Arts last Wednesday (we posted about the awards here – and there’s a nice March 2 article about Donald here).

In the column, which is determined to be unflaggingly perkyAlexandra Petri commented on the 82-year-old poet, “who is not, in fact, a yeti.” She invited us to think of a funny caption for the photo – but the suggestions in the comments section make clear the mean-spiritedness of the whole, largely ageist, enterprise.  If the comments aren’t enough, you can read a discussion of the submissions on the chat here.

“What does this photo say to you, other than: ‘Help! I’m a talking photo!'” Petri asked.  David Sanders in his emailed newsletter, Poetry News in Review, responded more graciously than I could:

A better question might be what does a photo caption competition say about you. I wish I can articulate exactly why this bothers me. I suspect it has something to do with my own inclination to poke fun at the perceived deficits of others without regard to whether they are self-created, congenital, or accidental, as if that mattered. It’s not a side of me that is attractive, but mockery is easy and instantly gratifying.

In this case: Donald Hall, a white, male, octogenarian, successful poet, with an unkempt mane and beard, appearing with our dashing president to accept a prestigious award. So which of these things is open to ridicule and mockery at the behest of our utterly charming Washington Post columnists? All of them.

Of course, this bothers me particularly because I know who Donald Hall is, what he’s achieved, and admire his body of work. I’ve met him only once and that was in passing a couple of years ago, but he seemed to be content with himself. So I assume that this little cleverness from our well-tailored friends at the Post would not bother him, if he even knew about it. And he doesn’t need me to defend him. So I won’t. But I will be embarrassed for the rest of us.

Thank you, David.

(You can subscribe to David’s Poetry News in Review here.)

Postscript on 3/8Philip Terzian writes:  “One of the embarrassments of the nation’s capital is that the dominant newspaper in Washington is relentlessly philistine, and routinely second-rate in its cultural coverage. Its free-standing book section was discontinued last year, and its coverage of music, art, dance, theatre, and film is either nonexistent or seemingly aimed at the lowest common denominator in its readership. The jeering, juvenile tone of this Petri joke at the expense of Donald Hall is, sadly, all too typical.”

Postscript on 3/9: After Terzian wrote about this kerfuffle in The Weekly Standard following my post, Sarah Palin picked up the banner on Twitter.  From there to the world.  (Ted Gioia posted my post on his Facebook page, where Terzian found it and commented – the evolution of a tweet.) This is a bipartisan issue – or rather, a totally apolitical one – so I hate to see it become a political football of one side or ‘tother.  David Sanders‘s judicious and humane comment speaks for itself.  I think his remarks are still the best reflection on this whole situation.

Postscript on 3/10:  Petri’s definitely not a class act.  She defends her ridicule of Donald Hall by attacking Sarah Palin – and the sight isn’t pretty.  More here.

“I was as surprised as I was pleased”: Rampersad receives National Humanities Medal

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“I was as surprised as I was pleased,” said Arnold Rampersad, who received the National Humanities Medal yesterday.  He didn’t stay in Washington long — he headed back to his native Trinidad, where he’ll be till mid-month.  I had emailed him on another matter, and my message crossed with the happy announcement he had received one of the highest awards a scholar in America can get.

Rampersad was cited for his work as a biographer and literary critic. His award-winning books have profiled W.E.B. Du Bois, Langston Hughes, Jackie Robinson, and Ralph Ellison. He has also edited critical editions of the works of Richard Wright and Langston Hughes.

“Growing up as a schoolboy in Trinidad, I received an education in literature that some people might dismiss as ‘colonial,’” he recalls. “It nevertheless served me well in dealing with the complexities of American biography.”

According to the NEH’s online profile:

Ralph Ellison [2007] was published in an era when, according to Rampersad, “the life of the African-American writer has changed dramatically. In part through holding positions at programs in creative writing and departments of English at universities, the black writer has gained a solid presence on the literary scene that has replaced the fugitive nature of expression and publication forced on blacks over the centuries, especially in the slave narratives but continuing into the twentieth century. That presence does not guarantee fine writing but it has led, in my opinion, to an assurance that bodes well for the future. Black literature was described a long time ago as a ‘literature of necessity’ rather than one of leisure. That element of necessity still exists but it does not dominate as it once did. Black American literature as a cultural phenomenon has reached a level of stability and maturity that the circumstances of American life once routinely denied it.”

He joins authors Wendell E. Berry, Joyce Carol Oates, and Philip Roth; historians Bernard Bailyn and Gordon S. Wood; literary scholars Daniel Aaron, Roberto González Echevarría, and Arnold Rampersad; cultural historian Jacques Barzun; and legal historian and higher education policy expert Stanley Nider Katz.

The National Medal of Arts was awarded the same day, to former U.S. Poet Laureate Donald Hall [yayyyyyy! — ED.] actress Meryl Streep, musicians Sonny Rollins, Quincy Jones, James Taylor and Van Cliburn, painter Mark di Suvero, theater champion Robert Brustein and an organization, Jacob’s Pillow Dance Festival.

“One of the people that we honor today, Joyce Carol Oates, has said, ‘Ours is the nation, so rare in human history, of self-determination; a theoretical experiment in newness, exploration, discovery.’ That’s what we do,” President Obama said before presenting the medals.

He also said that works of art, literature and history speak to the human condition and “affirm our desire for something more and something better.”

“Time and again, the tools of change, and of progress, of revolution, of ferment — they’re not just pickaxes and hammers and screens and software, but they’ve also been brushes and pens and cameras and guitars.”

The whole shebang below: